
Auditions
Here's everything you need to know about upcoming auditions at Stage 212!

Directed by Deb Lenhausen
Assistant Director Forrest Boes
Produced by Natalie Smigel
Audition Dates
Friday, January 30th at 7:00pm
Saturday, January 31st at 1:00pm
Auditions will be held at Stage 212
700 1st St. La Salle, IL 61301
Need to audition a different day?
Please email our producer with the subject "Auditions" for an alternative date at producer@stage212.org
Audition Information
Important Dates*
Tech Week: April 11th - April 16th
Performance Dates:
Friday, April 17th @ 7:30 PM
Saturday, April 18th @ 2 PM
Sunday, April 19th @ 2 PM
Friday, April 24th @ 7:30 PM
Saturday, April 25th @ 2 PM
Sunday, April 26th @ 2 PM
Strike: April 26th immediately following closing performance
*Please note that if you are unable to attend any of these dates you will not be considered for this production.
Rehearsals
The tentative rehearsal schedule will be Tues/Thurs/Sun at 7pm beginning Feb. 3. In the instance of major conflicts, this schedule may be adjusted.
Audition Requirements
The production team strongly encourages auditioners to read the character descriptions provided below, as some roles require the actor to be comfortable performing on a 7ft high platform, lifting a heavy weight, or being enclosed in a box for a period of time. All roles are physically demanding.
Reading
Auditions will consist of readings from the script. Scripts may be checked out through our box office beginning January 12th during operational hours (Mondays 4PM-6 PM and Saturdays 9AM-12PM)
Registration
All participants will be required to fill out our online Google Form prior to auditions, linked below.
Questions?
Please contact our producer Natalie Smigel at producer@stage212.org
Subject Line: The Play That Goes Wrong
Character Breakdown
CHRIS
Male 30-50, plays Inspector Carter
The head of the theatre company and Director of the play, this is the biggest day of his life, it is a nerve wracking and exciting night. He tries his best to keep the show on track while gritting his teeth at the ineptness which surrounds him. Every time someone laughs, he becomes more frustrated at both his fellow actors and the audience. He has equal amounts of contempt for his fellow actors and the audience watching the play.
English Accent
Physically Demanding Role
Note: The actor cast in this role will need to be comfortable performing on a seven-foot-high platform with no railing.
ROBERT
Male 30-50, plays Thomas Colleymoore
He wants to be Richard Burton (formidable and a bit pompous) but remains cheerfully clueless on stage. This ever-optimistic 'best friend' character is embroiled in a leadership rivalry with Chris, yet blissfully unaware of the chaos around him. He does not feel badly when things go wrong and never learns from his mistakes. Robert's naivety amidst ambition makes for a compelling, multifaceted portrayal.
English Accent
Physically Demanding Role
Note: The actor cast in this role will need to be comfortable performing on a seven-foot-high platform
with no railing.
MAX
Male, 25-40, plays Cecil Haversham & Arthur the Gardener
He has never been on stage before; has learned his lines and does exactly what he's told to do, unfortunately he has zero connection with any of the other actors. But when he gets a laugh, he breaks the 4th wall and engages with the audience; his mistakes are fundamental and filled with unintentional humor. He does not think anything through, just looks for approval.
English Accent and Cockney
Physically Demanding Role
DENNIS
Male, 40-60, plays Perkins the Butler
New to the stage, he struggles with lines and pronunciation, and audience laughter often feels like a spotlight on his mistakes. He has no real desire to be involved in the theatre; he just wants to make friends. Laughter from the audience is agony for him; he has difficulty pronouncing big words and must write a cheat sheet on his sleeve/arm.
English Accent
Physically Demanding Role
Note: The actor cast in this role will need to be comfortable performing on a seven-foot-high platform with no railing.
TREVOR
Male, 25-60, Lighting & Sound Operator
Wants to get on with the show; curmudgeonly and doesn’t care for actors; he is easily distracted, occasionally missing cues or forgetting to turn his mic off. He does many things he should not, including engaging with the audience when things go sideways. Comfortable behind the scenes, he is suddenly required to act, briefly taking on the role of Florence.
American dialect
Note: The actor cast in this role will need to be comfortable being in an enclosed box for up to 10 minutes.
JONATHAN
Male, 25-35, plays Charles Haversham
He is cast as a corpse but has trouble playing dead and does have some lines as the play progresses. He is a bad actor but sees himself as a very cool a ‘James Bond’ type. He is excited to be in the show and is having fun. Tasked with driving the narrative, he approaches his role with enthusiasm but feels the weight of each mistake deeply.
English Accent
Physically Demanding Role
Note: The actor cast in this role must be comfortable performing on a seven-foot-high platform with no railing.
SANDRA
Female, 25-35, plays Florence Colleymoore
She is a diva and the company’s leading lady, with ambitions to go to Hollywood and will hurt anyone standing in the way of what she wants. But she is smart enough to stay on the good side of someone who can help her (like the director). Will appear in less than full costume dressed in underwear in a comical way.
English Accent
Physically Demanding Role
Note: The actor cast in this role will need to be comfortable being in an enclosed box for up to 10 minutes.
ANNIE
Female 25-40, the company’s Stage Manager
Initially working tirelessly behind the scenes to solve problems, she has the biggest journey of any of the characters. She is unexpectedly cast into the spotlight as Florence, starting with a book in hand and initially terrified. Annie soon discovers a newfound comfort and love for acting - a passion so strong she's determined to fight for her place on stage. She starts small but grows and grows.
Physically Demanding Role
American Dialect
STAGE CREW
The Cornley Drama Society Stage Crew (Any gender, any age)
They are the backbone of this important show to the director. They believe in Annie, their Stage Manager, and will do anything for her as well as jump in should Trevor demand action. They will be working throughout the show to fix problems, recover items, save face, and hopefully save the show. There will be many times they are “part of the show” and will be seen.
At times they will also be assisting the REAL Stage Manager.




